CE/004₹5,200
LIVERELEASED 2026.06 — RUN OF 350
DROP 003
AFTER HOURS
The hours the city is not photographed in.
01THE FILE
About AFTER HOURS
Shot and drawn between midnight and four. Sodium vapour, roller shutters pulled down over signage, the loading bay behind a building that has a much better front.
The colour comes from the light source rather than a palette decision — sodium orange against carbon, the way a phone camera renders a street it was not built for. Print treatment is puff and heavy screen, so the graphic sits proud of the fabric the way a lit sign sits off a wall.
The heaviest garment in the line sits in this drop. 460 GSM fleece, because the collection is about being outside at the wrong time.
SOURCE MATERIAL
- 01Service entrance, 02:40
- 02Shutter grille under sodium light
- 03Fire escape, rear elevation
- 04Loading bay floor marking
MOTIF
A cone of light falling across a corrugated shutter, drawn as a technical elevation.
02THE PIECES
FILTER THE INDEX →2 pieces
in this file.
Availability is shown per size and never inflated. Where a size is gone, it is gone — this file is not being reprinted.
03ARCHIVE
Fragments.
Six pieces of source material from this file, scanned and separated by hand. The artwork on the garment is assembled from these.
PACKAGING
DOCUMENT 003 / AFTER HOURS / NOTHING PERFECT SURVIVES.
Matte carbon mailer, bone tissue with a repeated micro-serial, an archive-style hang tag and a red quality-control seal numbered against this file’s run.
RUN
350
001–350